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Magisches Denken und Handeln gehört zu den augenfälligsten Charakteristika der altorientalischen Kultur: Bedrohungen des Menschen, insbesondere durch Krankheiten, werden durch das Auftreten und Agieren von Dämonen verursacht. Diese können aber mit Hilfe des Gottes Enki (Ea) und seines Sohnes Asalluhi (Marduk) abgewehrt werden. Die hier rekonstruierte Sammlung von 21 sumerischen und sumerisch-akkadischen Beschwörungen bildet einen Querschnitt durch die Ritualpraktiken zur Reinigung und Heilung von Kranken, die diesem Götterkreis zuzuordnen ist. Die Textherstellung basiert im wesentlichen auf Manuskripten aus der Bibliothek Assurbanipals in Ninive (7. Jahrhundert v. Chr.), die Beschwörungen gehen jedoch zum Teil auf frühere Niederschriften aus dem 2. Jahrtausend v. Chr. zurück. Die Ausgabe enthält in beträchtlichem Umfang erstmals publiziertes Material und leistet so einen Beitrag zur Rekonstruktion der religiösen Literatur des Alten Orients.
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In Europe, the historical representation and narration of China and the Orient more in general from an outsider's point of view has conjured up an exotic and a-historical image of a poetical, mystical and refined civilization. In Walpole's Britain, for example, "the argument from the Chinese"-namely, the admiration for a prosperous and densely populated kingdom which did not belong to a single faith-was frequently used in religious disputes when claiming a wider or more coherent policy of tolerance or seeking to cut down the prerogatives of the clerical hierarchies. This chapter explores further Western uses of "the argument from the Chinese" in modern times and through different media (Antonioni; Yanne; Martin).
Orientalism. --- Orientalism --- History.
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"Decadent Orientalisms presents a sustained critique of the ways Orientalism and decadence have formed a joint discursive mode of the imperial imagination. Rather than attending to Orientalism as a repertoire of clichés and stereotypes, Fieni reads both Western and Islamic discourses of decadence to show the diffuse, yet coherent network of institutions that have constituted Orientalism's power"--
Orientalism --- Orientalism in literature. --- Decadence in literature.
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"Using the work of Edward Said as a point of departure, this book dissects the concept of Orientalism through the lens of 19th century missionary impressions of Kurdistan. Wilcox argues that dominant interpretations of Said's work have a tendency to present Orientalism as an essentialist practice and instead offers an alternative manifestation in which the Oriental is perceived as the mutable product of cultural forces. The relationship between missionaries and imperialism has long been a contentious issue with many scholars highlighting their apparent ambiguity. This study reveals how Protestant missionaries can be identified as anti-imperialist in their rhetoric of ecumenical independence; yet through their preconceptions of Oriental inferiority, they contributed to a more subtle undermining of local forms of knowledge and identity. Wilcox argues that this apparent ambiguity is in part a consequence of the ways in which the term imperialism is frequently used to allude to diverse and even contradictory meanings; therefore it is not so much the missionaries who are ambiguous, as the ways in which they are judged by today's multivalent standards. The analysis also makes clear the complex discursive processes which can undermine the actions of altruistic individuals. By drawing threads from this 19th century example into the current geopolitical foreground of Middle East-West relations, this book not only sheds light upon a little-known historical case study but also illuminates larger questions of the present and future encouraging a more vigorous examination of contemporary Orientalist prejudices."--Bloomsbury Publishing.
Imperialism. --- Missionaries. --- Orientalism. --- Kurdistan.
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Orientalism --- Asia --- Civilization --- Portuguese influences.
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Nicholas Tarling's Orientalism and the Operatic World places opera in the context of its steady globalization over the last two centuries, offering key insights into such notable operas as George Frederic Handel's Berenice, Giuseppe Verdi's Aida, Giacomo Puccini's Madama Butterfly, Pietro Mascagni's Iris, and others. Orientalism and the Operatic World argues that any close study of the history of Western opera, in the end, fails to support notion propounded by literary scholar Edward Said that the Westerners inevitably stereotyped, dehumanized, and ultimately sought only to dominate the East t
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Orientalism --- History --- Asia --- Study and teaching.
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Inspired by the growing interest in oriental countries and cultures, Hasan Baktir examines the representation of the ""Ottoman Orient"" in 18th century English literature, taking a new perspective to achieve a comprehensive understanding and investigating different aspects of the interaction between the Ottoman Orient and 18th century Europe.A number of questions continue to arise in the wake of Said's 1978 landmark study, ""Orientalism"". How monodirectional was the flow of power in such representations?
Orientalism in literature. --- Civilization, Oriental, in literature. --- Orient --- In literature.
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In a 2001 poll, Turks ranked the United States highest when asked: "Which country is Turkey's best friend in international relations?" When the pollsters reversed the question-"Which country is Turkey's number one enemy in international relations?"-the United States came in second. How did Turkey's citizens come to hold such opposing views simultaneously? In The Limits of Westernization, Perin E. Gürel explains this unique split and its echoes in contemporary U.S.-Turkey relations. Using Turkish and English sources, Gürel maps the reaction of Turks to the rise of the United States as a world-ordering power in the twentieth century. As Turkey transitioned from an empire to a nation-state, the country's ruling elite projected "westernization" as a necessary and desirable force but also feared its cultural damage. Turkish stock figures and figures of speech represented America both as a good model for selective westernization and as a dangerous source of degeneration. At the same time, U.S. policy makers imagined Turkey from within their own civilization templates, first as the main figure of Oriental barbarism (i.e., "the terrible Turk"), then, during the Cold War, as good pupils of modernization theory. As the Cold War transitioned to the War on Terror, Turks rebelled against the new U.S.-made trope of the "moderate Muslim." Local artifacts of westernization-folk culture crossed with American cultural exports-and alternate projections of modernity became tinder for both Turkish anti-Americanism and resistance to state-led modernization projects. The Limits of Westernization analyzes the complex local uses of "the West" to explain how the United States could become both the best and the worst in the Turkish political imagination. Gürel traces how ideas about westernization and America have influenced national history writing and policy making, as well as everyday affects and identities. Foregrounding shifting tropes about and from Turkey-a regional power that continues to dominate American visions for the "modernization" of the Middle East-Gürel also illuminates the transnational development of powerful political tropes, from "the Terrible Turk" to "the Islamic Terrorist."
Turkey --- Foreign relations --- Orientalism --- HISTORY / World. --- East and West
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Orientalism --- Orientalismo --- Asia --- Latin America --- América Latina --- Relations --- Relaciones
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